Other Stuff

As a hobbyist, I’ve bought lots of games over the years. (My wife once threatened a 12 step program.)

As a game designer on staff at several companies, I have copies of items I didn’t actually work on, but which were my office copies, for reference.

As a game reviewer for TSR’s Dragon Magazine, I ended up with review copies of several other items.

As a man with a home office full of mementos, art pieces, toys, awards, game shelves, and a tool crate, I have to trim something.

Everything in this section fits one of those first three categories, plus the fourth. They just won’t fit on my shelves any longer, mostly because they’ve been eclipsed by other games in my collection.

Whispering Vault – Black Book Edition

Lester : December 12, 2016 2:13 pm : Other Stuff, Review

SOLD! Turns out I have an extra copy of this rare edition, in mint condition. It’s yours for $50 (which includes shipping in the U.S.; use the “Contact” form to query for shipping elsewhere.) Below is my old review of this edition from Dragon Magazine #208.

Whispering Vault game

Black Book edition
88-page, 5½ x 8½”, spiral-bound book
Pariah Press $10.00
Design: Mike Nystul
Illustrations: Joel Biske, Steve Bryant, Pat Coleman, Daniel Gelson, Jeff Laubenstein, Jim Nelson, Mike Nielsen

The Black Book edition of this game is a pre-release version sold only at conventions. By the time this article sees print*, a full version of the game should be available through normal distribution channels**.

This mysterious little book is intriguing from the very start. For one thing, it has no title on its outside cover—just a strange, spiky, red rune. On the title and legal pages, we learn that the product is the Whispering Vault (an ominous title, for certain), and that the producer is Pariah Press (an evocative company name, if ever I heard one). The pages inside are a somber, grainy gray in color, with bizarre, sometimes horrifying illustrations. Visually, then, the product works to set a mood of horror and mystery.

An initial reading of the game reveals that it has a powerful new mythology as to how reality and the supernatural operate. Player characters (PCs) are persons who have transcended their own mortality to dwell as Stalkers in the realm of the Unseen. They serve as otherworldly guardians of reality, tracking down rogue gods who have invaded the mortal realms, repairing the breach made, and hauling the rogues back outside of time to be cast into the Whispering Vault (hence the game’s name).

Players design Stalkers with an eye toward attitude and imagery. When not on duty, Stalkers exist as Avatars, evidencing their essential natures both in their chosen form and the realm they create as a hideaway. (For example, one of my players envisioned his character as a Victorian sorcerer who had died in a confrontation with some great evil, only to find himself existing as an Avatar in the afterlife. Consequently, his Avatar is a corpse-pale figure in Victorian garb, dwelling in a crypt at the center of a misty cemetery, the crypt’s interior being decorated like a cross between a Victorian parlor and an alchemist’s lab.) When Stalkers reenter the realm of flesh on their missions, they manifest as nearly human versions of their spiritual selves. These are called Vessels, and their attributes can be recrafted from mission to mission, allowing the character’s abilities to vary widely.

The game invents quite a lot of new vocabulary for such a small book, but it is all evocative of the mythology being created. This helps to get players in the mood for adventures, as does the ritualistic nature of calling the hunt, summoning weavers to fashion the PCs? vessels, summoning a living bridge to the realm of flesh, and, after investigating the adventure?s plot and confronting the rogue god, binding that god and hauling it back for punishment. A strong atmosphere of brooding horror and heroic action is conveyed by the text, from vocabulary created, to creatures described, to setting depicted.

Game mechanics center around the roll of multiple d6s, the exact number being set by a character’s applicable skill. As in the Yahtzee game, players are looking for matched sets of dice, which they add for a degree of success. By spending a point of karma, a player can reroll any number of those dice, again reminiscent of the Yahtzee game. As an RPG mechanic, this works surprisingly well, allowing for a range of results from truly pathetic to incredible, with a hefty bit of influence by the player. Also satisfying is the fact that damage is divided by a target’s resistance (Fortitude). Again, with a modest range of numbers, creatures can be created that range from incredibly wimpy to absolutely awesome, in terms of the amount of damage they can withstand. Add to this the fact that mortals have die caps against supernatural creatures (sixes are ignored on their dice), and the action is pushed to even more heroic (or horrific) heights.

There are some things missing in this edition of the game, however. For example, the description of the shape-changing skill has been left out. More significantly, a central concept—the keys of humanity, which give the character a reason to care about the real world—are not explained at all. This leaves some players to flounder, wondering why their characters don’t just waste any mortal who gets in their way. The designer has promised that the full edition of the game will take care of these problems.

From the taste given in this black book edition, I definitely recommend this game for anyone who likes heroic horror. It is one of the most inventive treatments of the subject I have yet encountered.

*August 1994
**A few print paperback copies can be found online, and PDF version and supplements are currently available at Paizo.com.

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