Since then I’ve worked exclusively in publishing, first for game companies, now in education. I also continue to write, study, and promote poetry. It’s my opinion that poetry used to belong to the people, until academics stole it. It’s high time to steal it back from them.
CREDITS: Lester Smith as Cthulhu, Jamie Chambers as Jamie Chambers, Karalyn Smith as Voice of Server, Filmed by Karalyn Smith, Edited by Ralph Faraday, Music by Kevin MacLeod
If you’re reading this, chances are you know how much I love, and champion, poetry. You may also be aware of my quip that about a century ago, academics stole poetry from regular people, and ever since, some of us have been trying to steal it back.
Which is to say, as clever as academic poetry may sometimes be, it too often lacks any real heart or conviction. And too often, it seems, it chooses to be obscure for the same reason academics use unnecessarily obfuscatory terms in prose—to avoid appearing “common.”
For some time, then, I’ve cast disparaging glances at what to me seemed an unnecessarily difficult poem: Wallace Stevens‘ “Thirteen Ways of Looking at a Blackbird.” Still, something about the poem continued calling to me, as if a blackbird were cawing to draw my attention, and I just couldn’t understand what it wanted.
It’s an irreverent collection, somewhat in the tradition of Charles Bukowski. When the manuscript arrived, the very first poem, “These Poems Are Potentially Offensive” made me laugh out loud with its delightful word play.…
These Poems Are
So, if your eyes are delicate,
read about sailboats. So stern
and solid, made of aged wood.
So different from the strong
rigidity of a feisty ignorant boner.
And the rest of the collection is every bit as skillful in its badinage, as in its Bukowski-like honesty. I’m thrilled to have it included in the Popcorn Press catalog.